World Comic Book Review

25th April 2024

CSI: Asgard

Thors #1-4
Marvel Comics, 2015-2016
Writer: Jason Aaron
Review by Neil Raymundo, January 18, 2016

In Scandinavian mythology, Thor is the god of thunder. The concept of a powerful, hammer-wielding entity fighting for good against evil has been commercially exploited by Marvel comics since 1962, with considerable success. Many of the concepts inherent to the character have become well-trodden paths for writers. This story is however new: it is a detective murder mystery, albeit an esoteric and confusing one.

The story, written by Jason Aaron, is set after a recent Marvel Comics’ cross-promotional event called Secret Wars. The plot of this was to milk the goodwill in the company’s various realities by consolidating the survivors of each razed continuity into a single one ruled by Doctor Doom, a long-standing villainous character rendered omnipotent.

In the new reality, various characters from different continuities coexist regardless of how unlikely it was given that universe’s particular logic. The characters are policed by an army of Thors, which consist of various characters that are or have been wielders of the enchanted hammer Mjolnir, even going so far as to include several time-displaced versions of a single character.

The quality of Mr Aaron’s “Thors” mini-series can be a challenge to assess objectively, because it is on the one hand a well-written detective story with a serviceable plot twist, but on the other hand is also somewhat crippled by its dependence on the Secret Wars cross over event and prior knowledge of the Thor comic book franchise. As a consequence, it is vastly inaccessible to new readers, but entertaining to an established audience.

The main protagonist is a veteran Thor named Thorlief. This is the reality-displaced Thor from Marvel Comics’ “Ultimate” continuity, and his partner, the reality-displaced Beta Ray Bill (an alien version of Thor, first created in 1983). The two Thors have a reputation as two of the best that the corps has to offer, with feats such as taking down a dozen versions of the immensely strong character the Hulk at the same time (which earned Thorlief a reputation as the “Ultimate Thor”) and solving multiple big cases that have cost previous Thors their post.

If this sounds more like a police drama than a title about Teutonic thunder gods, then that assessment is entirely correct.

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Fatherhood and Strangeness

Superman: American Alien 1
(DC Comics January 2016)
Writer: Max Landis
Review by DG Stewart 16 January 2016

“Superboy” was a title first published by DC Comics in 1949. The title focused on the adventures of Superman as a young teen. It was a popular title that was only cancelled in 1984, its appeal to teen readers who could perhaps better identify with a youthful version of their adult hero. Superboy had entirely mastered his powers throughout the series and wore an identical version of the costume made famous by Superman, with the only discernable difference in appearance being that Superboy was slighter of frame and possessed a rounder face. (Subsequent “Superboy” titles beyond 1984 dealt with the adventures of youthful clones of Superman.)

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A dream! A hoax! An imaginary story!

“A dream! A hoax! An imaginary story!”
The amazing team-up blog of Ross Pearsall.
Review by DG Stewart, 14 January 2015

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Blogger and creative talent Ross Pearsall has been the subject of many online discussions relating to his remarkably creative and fun work in producing fictional comic book covers on the site Super-Team Family: …the Lost Issues! .

World Comic Book Review interviewed him this week.

WCBR: How long have you been doing these covers? What inspired you to do this?

Ross Pearsall: The covers began with me imagining what The Brave and the Bold would have been like if it had continued. I used MS Paint to mash up existing artwork into new imaginary covers. I tried to team Batman up only with DC characters that were published around the time the original B&B series ran, using Jim Aparo artwork whenever possible, to make the covers that I thought might have actually appeared. Upon exhausting that concept, I started to branch out, using heroes from Marvel and elsewhere. This eventually led to me switching titles, using Marvel Two-In-One, with The Thing as the anchor hero hosting rotating guest stars. People seemed to get a kick out of these when I posted them on a message board and when it was suggested I start a blog, I did so in April of 2010. After a while I decided to step things up by switching to Photoshop for creating the covers and switching the core title once again to Super Team Family, which could encompass any type of team up I could come up with. The concept I started with was – “What is Super-Team Family ran forever, with access to any character from anywhere?” That’s broad enough to allow me to feature all the characters and creators that I admire. I switched from MS Paint to Photoshop after over 500 B&B and MTIO covers and 320 or so STF covers. It was a learning curve, but eventually it opened a whole new world of possibilities for me. That said, I am proud of what I was able to accomplish with a relatively simple program like MS Paint while I was using it.

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The Slow Boil Lacks Steam

Dark Knight Returns III: The Master Race
DC Comics, February 2016
Writers: Brian Azzarello and Frank Miller

Review by DG Stewart, 12 January 2016

One of the most striking pages of one of DC Comics’ epic titles, “The Dark Knight Returns” (1986) by Frank Miller, features the character Batman, an ordinary human, aged, silver-haired and driven by sheer force of will (albeit in mechanised body armour), punching to a pulp the near-omnipotent character Superman. Batman’s brutal victory relies upon wits, cunning and impeccable planning. Fierce and grim, steeped in observations about the nature of the facades of media and politics, and the fundamental inability of the title character, Bruce Wayne, to stand by and watch violence descend upon his neighbours, the series is properly celebrated as paramount in the field of superhero comic book writing. In 2001-2002 DC Comics published a second instalment of the story, “The Dark Knight Strikes Again”. Entangled in DC Comics’ continuity and failing to tap into the libertarian rage which propelled the original series, this continuation of the tale was not a critical and commercial success. Climbing upwards from the pinnacle of a mountain is, after all, a miraculous feat.

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