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Read a Random Post

James Bond 007: Felix Leiter (Hardcover) (Review)

DG Stewart and Maxwell Yezpitelok

Dead on arrival: plotlines that went nowhere in superhero comics

DG Stewart and Maxwell Yezpitelok August 17, 2018 No Comments

The US superhero comic book industry is built for the most part around monthly pamphlets: 22-24 page comics which build into a longer story arc

Read More »

Top Posts and Pages

Stan Lee Commences Proceedings Over Alleged Misappropriation of his Name and Likeness

Justice League Unlimited #1 (review)

Deadly Dull: Ichi-F

The 10 Oddest Masks in Comics

Heavy Metal Queen (review)

SMOSH #1: Lost in Translation

Marvel Zombies: Destroy! (revisited)

Polybius Dreams #1 (Review)

The Arrival (Review)

The “Superhero” Trademark: how the name of a genre came to be owned by DC and Marvel, and how they enforce it

Augmented #1 (review)

Onward Towards Our Noble Deaths (revisited)

Action Comics #1061 (review)

No Capes Here: The Wildstorm #1 (review)

Why the Portrayal of Australians in Superhero Comics is So Cliched

White Savior #1 (review)

Extraordinary X-Men Annual #1 (Review)

Edge of Venomverse: War Stories #1 (Review)

The Devil That Wears My Face #4 (Review)

Space Ghost #3 (Review)

Scissorwalk (review)

A quick overview of tobacco smoking in mainstream comic books – Japan, the US, and France/Belgium

Void Rivals #1-4 (review)

Popova #2 (review)

The Human Target #12 (review) – a eulogy for Christopher Chance

The Lost Gardens (review and interview)

Deadpool: Bad Blood (Review)

Meth the Immortal #1 (Review)

Our favourite comic book infographics for 2017 so far…

The Secret Lives of Dead Men: Brubaker’s Velvet, the James Bond mythos, and the Spectre of Ian Fleming

From iconic superheroes to underground indie sensations, the World Comic Book Review offers expert analysis and thoughtful reviews to guide you through the dynamic landscape of sequential art.

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