World Comic Book Review

28th April 2024

Cryptocracy #1 (Review)

Cryptocracy #1
Dark Horse Comics, June, 2016
Writer: Van Jensen

American publisher Dark Horse Comics’ “Cryptocracy” tackles the concept of shadow governments through a story about the so-called “Nine Families”. This group have, since time immemorial, watched from the shadows and manipulated major historical events from behind the scenes. The Nine Families saw themselves as shepherds of humankind, halting or accelerating civilization’s progress as they see fit. (For those familiar with Brian Azzarello’s “100 Bullets” (Vertigo Comics, 1999-2009), the concept evokes The Trust, a group of thirteen families who essentially control the United States.)

The first issue is spent mostly on world-building, introducing the hierarchy and power structure of the world within the comic through an “onion” model; the outermost layer being the 7+ billion humans on Earth, and the core consisting of the Elders and Priests of the Nine Families. Between them are various categorizations ranging from rank and file agents to high ranking, senior members of the families.

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Alpha King #1 (review)

Alpha King #1 (review)
(Image Comics, May 2016)
Writers: Brian Azzarello, Nick Floyd and Simon Bisley

Promotional tie-ins between comics and various goods and services are commonplace. Most usually these tie-ins are linked to toys or movies. Some of these have been exceptionally successful, for example, “Transformers”.

More blatant, perhaps, is various American publishers’ efforts to promote cars. In one instance, “Rush City” (DC Comics, 2006-2007), the comic’s existence was to facilitate the promotion of the Pontiac Solstice, a sports car. Dark Horse Comics’ “The Hire” (2004) similarly promoted BMW, a car brand. The Wall Street Journal has reported on Marvel Comics’ efforts to promote DaimlerChrysler AG’s Dodge Caliber car in various titles including Spider-man, and also on Marvel Comics’ deal with Nike’s “swoosh” logo, whereby Marvel Comics undertook to feature the logo within various comic titles over a four-to-six month period.

“Alpha King” is an unabashed promotional tie-in. The goods promoted by the comic, however, are novel: a microbrewery called 3 Floyds Brewing Company uses the comic to promote the brewer’s pale ale in the context of an interdimensional war involving sword-wielding demons. This is as ridiculous as it sounds. The plot begins with an amusing-enough gag: some soldiers in an army of ogres discuss Tolkein, before being rallied to a siege. The story then jumps to a bearded brewer in modern day America, who encourages kids to slip around the corner of the vat and sneak in consumption of the beer.

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Star Wars: The Force Awakens #1 (review)

Star Wars: The Force Awakens #1
(Marvel Comics, June 2016)
Writer: Chuck Wendig

This is a six issue mini-series by Marvel Comics based upon the movie, “Star Wars: The Force Awakens” (2015, LucasFilms Ltd / Walt Disney Studios).

“Star Wars” comic book adaptions are very popular, and recent spin-off titles have centred many of the main characters (we have recently reviewed “Vader Down”, by way of one example). Some of these stories are bubbling with creativity, fuelled by the sheer enthusiasm which so many imaginative and ardent writers have for the franchise.

With that in mind, we warn you: Do not buy this comic book if you expect that the title contains anything new.

It does not contain any tangential plot lines arising from the motion picture. It does not contain any new backstory to any of the characters. In promoting this title, Marvel Comics should have (but did not) make it extremely apparent from the copy on the cover that this comic is a very strict film adaption. The story does not deviate at all from the movie, save that it is an edited version of the first few chapter of the movie plot. Here is an example:

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Prometheus: Life and Death #1 (review)

Prometheus: Life and Death #1 (review)
Dark Horse Comics, June 2016
Writer: Dan Abnett

Motion picture director Sir Ridley Scott made the movie “Prometheus” (2013, Twentieth Century Fox) with great anticipation from the avid fans of the original “Alien” movie (1983, Twentieth Century Fox). The movie was a self-indulgent and at one point dreadfully misogynistic disappointment. Yet a sequel is nonetheless in production.

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