World Comic Book Review

27th April 2024

Better to Burn the World than Rule the World

G.I. Joe: Deviations (review)
IDW Publishing, March 2016
Writer: Paul Allor
Review by Neil Raymundo, 30 March 2016

Comic book villains have a variety of motivation. Some are propelled by a lust for power (Julius Caesar in “Asterix”; the Kingpin in “Daredevil”) and some because they embody power (Lucifer Morningstar in “Lucifer”; Death in “East of West”). Others are motivated by psychosis (The Joker in “Batman”). Some reform (Magneto in “X-Men”) and some are motivated by vengeance and incapable of reform (Lex Luthor in “Superman”). Some are motivated by something else.

The “G.I. Joe” franchise started as a line of toys produced and owned by toy company Hasbro, originally created in 1964 and consisted of 12-inch figures representing four branches of the U.S. armed forces ( both “G.I.” and “Joe” were generic terms for U.S. soldiers in World War Two though the latter term has become derogatory in some South East Asian countries.) The toyline is responsible for popularizing the term “action figure,” and at the time developed a small following among young boys.

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An American heart of darkness

“Manifest Destiny”
Volume 1: Flora & Fauna
Volume 2: Amphibia & Insecta
Volume 3: Chiroptera & Carniformaves
2014-2016, Images Comics and Skybound Entertainment
Writer: Chris Dingess
Review by DG Stewart, 19 March 2016

Writer Joseph Conrad published his masterpiece novel “Heart of Darkness” in 1899. The novel described Mr Conrad’s experience with colonial barbarism in the Congo, as a study in the transience of human morality. While as a consequence of the commercial benefits of colonialism the small kingdom of Belgium was rendered increasingly wealthy, sophisticated and gentile, its colony in Africa became increasingly shadowy, the focus of unadulterated evil exerted by its European overlords. The vehicle for this novel is a perilous and increasingly disturbing journey up-river to meet a man named Kurtz who has by his experiences become stripped of humanity. It was and remains a profoundly disturbing and influential work.

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The Fifth Guest is an Unknown

“Storm” (review)
Writer: Tim Minchin
Orion Books, 2014
Review by DG Stewart, 15 March 2017

Los Angeles-based comedian, writer, actor, and musical polymath Tim Minchin has been very prominent this year, particularly in the press in Mr Minchin’s home country of Australia. Mr Minchin has recently released a very acerbic song. The song sharply and angrily attacks the former Roman Catholic Archbishop of Australia, Cardinal George Pell. Cardinal Pell had refused to fly from Rome to Australia to give evidence to an independent government inquiry (called a Royal Commission). The evidence related to his knowledge of the systemic sexual abuse of children by Catholic priests in a rural Australian town while Cardinal Pell was in a position of responsibility over that town’s clergy. Proceeds of sales of the song were donated by Mr Minchin to the survivors of sexual abuse by priests, as a financial contribution to their airfares to Rome so that they could watch Cardinal Pell’s testimony from the same room as the cameras. This act of charity, together with the Australian penchant for both secularism and abrasive sarcasm, made the song a commercial success, and it reached the number one ranking on the Australian iTunes chart. The song concludes with lyrics whereby Mr Minchin invites Cardinal Pell to sue him.

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“By Toutatis!”

The Historical Inaccuracy of Asterix
Pilote Magazine, Hachette, 1959-2010
Writers: Rene Goscinny and Albert Uderzo
Review by DG Stewart, 18 March 2016

“Asterix” is a comic book series comprising 36 volumes published over almost 60 years. The title character’s adventures have sold more than 300 million comic books and been translated into many languages (including, amusingly given the title character is often depicted fighting Romans, Latin). A national survey in France in 1969 indicated that two-thirds of the population of that country had read at least one of the Asterix comic books. As at the time of writer Rene Goscinny’s death in 1977, total sales in France of the comic book are said to have amounted to more than 55 million copies. “Parc Asterix” is a theme park in Paris based on the character’s adventures, and France has produced postage stamps featuring Asterix and his friends. Such is the title character revered in France that the first French space satellite, launched in 1965, was named “Asterix” in his honour. It is hard to think of any equivalent comic book character, measured by national recognition and success, in any Anglophone country.

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